The Czech Republic As We Know It - 5172 Words

The current Czech Republic as we know it, was established in January of 1993 when Czechoslovakia split into two independent countries. The peaceful separation created the Czech Republic and an independent Slovakia. The history the Czech Republic, Slovakia and the once Czechoslovakia is rich and full of turmoil. History The indigenous population of Czechoslovakia were the Slavic tribes. These tribes were made up of West Slavs tribes who were the Poles, the Czechs and the Slovaks. The East Slavs tribes consisted of Russians, Ukrainians and Belarusian s. The South Slavs tribes consisted of Bulgarians, Croats, Macedonians Serbs and Slovenians. In 550 BC the Slavs began settling in the eastern Alps and by 800 BC Christianity was spreading across the Slovene lands. In 962 the Holy Roman Empire was established and in 1085 Vrastislav II became the first Czech king which started the Premyslid dynasty. The Premyslid dynasty ended with the death of King Wenceslas III in 1306. In 1414 Jan Hus, an outspoken Czech, started speaking out against the corruption in the Catholic Church. Jan would conduct sermons in Czech so the regular citizens could understand the message. Unfortunately Jan was to outspoken and was burnt at the stake one year later in the year 1415. The Hussite Wars commenced in 1420 and carri ed on for fourteen years and concluded in 1434. In 1458 the Hussites elected a Czech Protestant king named George of Podebrady. The Hapsburg Dynasty ruled the lands fromShow MoreRelatedCzech Cultural Analysis Essay1639 Words   |  7 PagesCultural Analysis – Czech Republic Missouri University of Science and Technology ` table of contents table of contents ii 1.0 Czech vs u.s. Culture – hofstede’s model 3 2.0 Czech business culture – trompenaaris classificaion 7 3.0 U.S. Business culture change needed 7 4.0 bibliography 9 1.0 Czech vs u.s. Culture – hofstede’s model The Czech Republic has its roots as a former communist state known as Czechoslovakia. 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Stefan’s Diaries Bloodlust Chapter 23 Free Essays

October 9, 1864 Iam not supposed to have a heart. A bullet went through it nearly three weeks ago, and no blood of my own will ever pump through it again. The only blood that now courses through my veins is that of whomever I happen to attack. We will write a custom essay sample on Stefan’s Diaries: Bloodlust Chapter 23 or any similar topic only for you Order Now And yet something about Callie causes my dead heart to flutter and the stolen blood to quicken in my body. Is it real? Or is it a mere memory of something that used to be? Damon once told me that on the battlefield, boys who’d undergone amputations still woke up to agonizing pain in their legs or cried for the hand that ached, though those limbs were no longer part of them. But while those boys had phantom limbs, it seems I have a phantom heart. In my short time in New Orleans, I’ve learned about my Power. It’s what has driven me, what I’ve thrived on, what makes me a vampire. But that’s not the only power I possess. The other kind isn’t exciting, or thrilling, or dangerous. It’s mundane and tedious–the exercising of control over my Power. I’ve had to learn to suppress my urges to fit in and to remain with Lexi. Yet when I was with Callie at the show, it was as though my two powers were at cross-purposes, each threatening to destroy the other in a private battle in my brain. Now she enters my thoughts constantly. The constellation of freckles on her skin. Her long eyelashes. Her vibrant smile. I can’t help but admire the way she wields her own power. How she commands the attention and respect of her father’s employees, but also how she grows soft around me, cuddling close when she thinks no one is looking. I think of my hand interlaced with hers. And every time an image of Callie floats to my consciousness, I curse myself. I should be stronger than this. I shouldn’t think of her. I should put her out of my mind, write her off as a silly little girl who is lucky I’m letting her live. But deep down, despite my Power, I know Callie has control over me–and my phantom heart. The next morning, I returned to the freak show, with only one thing on my mind: freeing Damon. â€Å"Hello, friend!† the strong man, Arnold, greeted me as I walked through the gateway to the fairgrounds. â€Å"Hello,† I muttered. The tattooed woman came up behind him and gazed at me quizzically. Without her India-inked designs, she was actually quite pretty, with high cheekbones and wide, inquisitive eyes. â€Å"What are you doing here?† I grunted in response. â€Å"Youll want to apologize to Callie.† She pointed at the side of the tent. So Callie had already told her friends about our disastrous evening. Just as I had feared. I walked around the grounds until I saw Callie kneeling over a piece of birch wood at her feet. Paint splattered her overalls, and her red hair was twisted on top of her head and held in place by a single, slender, long-handled paintbrush. The sign said: A PENNY A PEEK: A REAL, LIVE, HUNGRY VAMPIRE. ENTER IF YOU DARE! Underneath was a crude drawing of a vampire: fangs elongated, eyes squinting, blood trickling down both sides of his mouth. The features were Damons, but it was clear Callie had drawn significant artistic inspiration from the burlesque show last night. Callie looked up, catching me staring. Her mouth made a round O, and she dropped her brush onto the canvas. A large black spot suddenly appeared on Damons face. â€Å"Look what you made me do,† she said angrily. I stuck my hands in my pockets, subtly sniffing the air for traces of Damon. â€Å"Im sorry.† Callie sighed in annoyance. â€Å"I dont need your apologies. I just need you to stop distracting me so I can get some work done.† â€Å"Do you want me to help you fix the painting?† The words were out of my mouth before I could stop them. They hung between us for a long moment, both of us seemingly surprised by my offer. â€Å"Fix the painting?† Callie echoed, putting her hands on her hips. â€Å"Am I hearing you correctly? Fix thepainting?† â€Å"Yes?† I fumbled. â€Å"Are you aware that you left me last night to get home alone, with no explanation?† Her chin was jutted out, and her stance was aggressive, but her lower lip wobbled, and I could tell she was hurt. â€Å"Callie,† I began. Excuses flew through my head.I work for your father. We should not sneak around. You’re just a girl, and I’m a vampire Even though part of me was furious at her for allowing her father to parade Damon around like livestock, to let him fight perhaps until death, the other part knew that she had as little sway over her father as Id had with mine. And now all I could think about was making her lip stop wobbling. â€Å"Its better this way,† I said, twisting my ring around my finger. She shook her head and stabbed the sharp wooden end of the paintbrush into the dirt. It remained there, as if it were a tiny surrender flag after a battle. â€Å"No explanation necessary. Weve known each other a week. You dont owe me an explanation. Thats the best thing about strangers: You dont owe them anything,† she said crisply. I rocked back on my heels. A silence hung between us. The image of Damon glared up at me, seemingly mocking my ineffectiveness. â€Å"Well, arent you going to get to work?† she asked. â€Å"Or are we just paying you to stand around?† Before I could turn to leave, Jasper burst out of a small black tent at the edge of the property. â€Å"We need some extra hands!† A lanky man trailed behind him, cradling his forearm close to his chest. Callie leaped to her feet. â€Å"What happened?† As the man held out his hand, blood flowed down his arm onto the ground. I averted my eyes. Even so, pain rippled along my jaw as I felt my fangs grow. â€Å"The vampires fighting today. We need more men.† Jasper gasped breathlessly, his eyes falling on me. â€Å"Stefan,† Callie said in a tone that wasnt a question. Jasper and the stocky man stared at me. â€Å"Well then, come on, new guy. Show us youre Gallagher material,† Jasper said, jerking his chin in the direction of the tent. â€Å"Of course,† I said slowly, a plan forming in my mind. I could pick out four separate heartbeats in the tent. There would be copious amounts of vervain, of course, but Id been feeding regularly enough that I might be able to overcome the men. Four I could handle, but five I turned to Jasper. â€Å"Why dont you and Callie take care of your man here and Ill join the others in the tent?† â€Å"I’m coming, brother,† I added under my breath. Callie squinted at me. â€Å"Did you say something?† â€Å"No,† I said quickly. Jasper shifted from foot to foot, sizing me up with his eyes. â€Å"Callie will take care of Charley here, and Ill take care of you. Teach you the tricks of monster wrangling,† he said, clapping me on the back, pushing me toward the tent. With each step the scent of vervain grew stronger, curdling the blood in my veins. Together, we entered the tent. The interior was hot and dark, the stench of vervain nearly suffocating me. It took every ounce of my strength not to bend at the waist and scream in agony. I forced my eyes open and looked at my brother, who was chained in the corner. Four men yanked on his restraints, trying desperately to keep him in place. The second Damons eyes landed on me, his face lit up. â€Å"Welcome to hell, brother,† Damon whispered, his lips barely moving as he locked eyes with me. Then he turned to Jasper. â€Å"So, Jasp,† he said, in a conversational tone, as if they were just two men engaged in a friendly talk at a tavern, â€Å"you found a new sap to do your dirty work. Well, come on, brother. Lets see if you can stake me.† â€Å"His bark is worse than his bite,† Jasper said, holding out a stake to me. From its stench I could tell it had been soaked in vervain. â€Å"Give me your gloves,† I said with an air of authority. Touching the wood would give me away instantly. â€Å"Wont give you much protection. Those fangs can go through anything,† Jasper protested. â€Å"Just give them to me,† I said through clenched teeth. Damon watched the exchange intently, clearly enjoying my predicament. â€Å"Okay, if theyll make you more comfortable. † Jasper shrugged and handed me his leather gloves. I pulled them over my hands and took the stake from Jasper, my hands trembling slightly. How could something so light be so deadly? Damon let out a low chuckle. â€Å"Is this the best you could rustle up? He looks about ready to keel over.† I glared at my brother. â€Å"I’m trying to save you,† I whispered. Damon just snorted derisively. â€Å"Please,† I added. â€Å"Please what?† he said, wrapping the chains around his hands. â€Å"Please let me save you.† â€Å"Sorry. Can’t help you there,† he said, before yanking on the chains. Two of the guards fell to the ground in surprise. â€Å"Do something!† Jasper said gruffly. â€Å"Youve got to stick him, let him know his place.† â€Å"Listen to your boss,† Damon sneered.†Be a man and stab me. A real man isn’t afraid of blood, isn’t that right?† Jasper bent down and grabbed a stake from the ground. â€Å"Cmon, boy. Earn your keep,† he said, using the side of the stake to nudge me forward. I gasped. Pain shot up and down my skin, as if Id been touched by a hot poker. Damon laughed again. The flap opened, and Callie poked her head through the tent. I looked wildly over at her. â€Å"Callie, you shouldnt be here!† Both she and Damon looked at me quizzically. A sickening feeling spread through my limbs. The vervain, the heat, the stakes Just then, with a simple twist from his chains, Damon broke free and lunged toward Callie. Callie shrieked, and Jasper dove to shield her. Time seemed to stop, and without thinking, I hurled my stake through Damons belly. He fell backward, gasping, blood spurting from the wound. â€Å"I said, please!† I hissed wildly, in a voice only Damon could hear. Callie cowered near the flap, her eyes wide as she glanced between me and Damon. Damon looked up, wheezing as he pulled the stake from his stomach. Then I heard the faintest, hoarse whisper over the shouts of Jasper and the trainers as they moved to re-chain Damon. â€Å"Then please know that your hell hasn’t even yet begun, brother.† How to cite Stefan’s Diaries: Bloodlust Chapter 23, Essay examples

Liking is for Cowards free essay sample

Part of your essay must focus on how Jonathan Franzen tries to engage a young audience and on the message of the essay. Jonathan Franzen’s speech was given to the college students at Kenyon, Ohio, USA. The introduction part of the speech is Jonathan Franzen talking about his relationship to his newly purchased phone, and how he got rid of his old one. Choosing the subject of smartphones, definitely points in the direction of a younger audience, since adults rarely care for technology as much as the youth usually does. â€Å"†¦ I replaced my three-year-old BlackBerry Pearl with a much more powerful BlackBerry Bold†. Obviously enough the speech isn’t an advertisement about what the new BlackBerry Bold can do, but since young people relate to technology, the college students might have their interest awoken of the wisely chosen subject. Continuing with the subject of phones the speech giver furthermore uses metaphors such as: â€Å"†¦ or doing that spreading-the-fingers iPhone thing that makes images get bigger† to engage his audience. Jonathan Franzen mentions the word â€Å"sexy† and then compares a perfectly working erotic relationship to magic: â€Å"And how, when we want to describe an erotic relationship that’s working perfectly, we speak, indeed, of magic†. He could’ve used a lot of other comparisons, but again he choses a subject very important to a young community at a college – eroticism. Getting past the introduction of the speech the author gradually presents the message of the text – love/passion for your interests: â€Å"Let me suggest, finally, that the world of techno-consumerism is therefore troubled by real love, and that it has no choice but to trouble love in turn†. He hereby tries to create a judicial separation between the passionate real love, and the love for material goods. The speech giver mentions how material love is very costly for one to maintain, since: â€Å"The message, in each case, is that if you love somebody you should buy stuff†. Cleverly enough he lets the low budget students know, that not only is the love for material goods expensive to maintain, it’s also not nearly as lasting and beneficial for yourself as real love. He sets up his own point as being the only smart choice in this scenario. Moving on with the speech, Jonathan Franzen selects another topic related to the youth in general Facebook: â€Å"A related phenomenon is the transformation, courtesy of Facebook, of the verb â€Å"to like†Ã¢â‚¬ ¦Ã¢â‚¬  Ingeniously he talks about another very noteworthy point in his speech, using Facebook as the â€Å"motivator†. Bringing up Facebook as a subject encourages the students to keep their interest in the speech, and makes it easier for the speech giver to maintain his audiences focus on his actual point. That point being, â€Å"Liking is for Cowards†. Jonathan Franzen discusses the concept of being likable compared to being loved, and it clearly shines through that being liked is not an option in his opinion: â€Å"If you dedicate your existence to being likable, however, and if you adopt to make it happen, it suggest that you’ve despaired of being loved for who you really are†. Being liked is in his opinion fake, and in most cases it’s only for the nonce. The parallel to maintaining technology, his first topic of the speech, is easily drawn to maintaining the occasion of being liked. In both instances you have to stay updated, whether it’s buying a new phone or changing your haircut they’re both just temporarily and require a lot of dedication. The question being, would anyone want to invest all of his or her time in something only momentarily likable, when you can be loved just as you are? The authors’ opinion shines through: â€Å"The simple fact of the matter is that trying to be perfectly likable is incompatible with loving relationships†. – â€Å"†¦ Something realer than likability has come out in you, and suddenly you’re having an actual life†. Jonathan Franzen hereby states, that being liked is fictional, and not something you can actually experience whilst living your real life. Being liked have been created by the Internet, and can only be experienced over the Internet. The reason being: â€Å"There is no such thing as a person whose real self you like every particle of. This is why a world of liking is ultimately a lie†. – â€Å"But there is such a thing as a person whose real self you love every particle of†. Having set up the clear separation between being liked and being loved, the speech giver moves on with the topic of risks involved with loving, being loved and why this is worth it. â€Å"†¦ And yet pain hurts but it doesn’t kill†. – â€Å"To go through a life painlessly is to have not lived. † Instead of using metaphors, hidden messages or anything a like, Jonathan Franzen uses examples from his own life to prove his points to his audience in the last part of the speech. This makes it easier for the students to relate to him, which again makes it easier for the speech giver to make his message shine through: â€Å"When I was in college, and for many years after, I liked the natural world†. â€Å"†¦ even a pigeon or a robin, I could feel my heart overflow with love. And love, as I’ve been trying to say today, is where our troubles begin†. Jonathan Franzen builds up his message, and keeps the suspense going. At this point of the speech the audience properly already know what his message to themselves is, but he decides to drag it out as long as possible. This is certainly related to the feeling of watching a movie involving a bomb about to explode, a feeling all of the students have definitely had: â€Å"And here’s where a curious paradox emerged† – â€Å"How does this happen? †. Lastly the author ends his speech with a clear message to the students of the Kenyon college: â€Å"†¦ But when you go out and put yourself in real relations to real people, or even just real animals, there’s a real danger that you might love some of them. And who knows what might happen to you then? . The author uses a lot of rhetorical means to engage his young audience, some of them being: choosing subjects the youth easily relates to, bringing meaningful things of their lives to discussion – Facebook being one of these, keeping their interest awoken by changing subjects a lot, yet he manages to draw a clear red line through his entire speech, dragging out his message as long as possible, to make sure everyo ne is listening when he closes his speech with the message to the college. The message is obvious to anyone at this point: live your life, maintain your passions, take the necessary risks of love if needed, or you’ll end up being liked and disliked, in a virtual world without real love and real pain for that matter. The title of his speech perfectly sums up the message: â€Å"Liking Is for Cowards. Go for What Hurts†.